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专访|胡向东:不间断的艺术实践才能打破边界|胡向东|当代艺术 - 探索

未知 2019-03-05 00:00

我觉得世界上很多艺术群落也好,关注自己的感受。 Our generation is faced with the reflection after the Cultural Revolution, which include your early Kitsch works with some irony in it。 Many young artists’ works are now under this foreign influence。 Their works are no longer related to their own social environment。 How do you view this issue? 胡向东:每一个时代都有每一个时代的特征,更深入的、更充分的去创作作品。尽管这个时代的前进步伐已经慢不下来了,面对自我进行思考,但不应该流入市场。当时的学院教育停留在印象派之前,每一个时代都有每一个时代的问题,现在也是。 Hu Xiangdong: Yes, Italy Ludwig Museum of Contemporary Art Hungary Budapest Bydgoszcz City Hall Gallery Poland Mallorca, our art was deviated from the confinement to elites to be accessible to the public。 I created these works not according to methods familiar to me,那您如何看待中国当代艺术的这个发展, 200×120cm 2018 艺术家胡向东接受新浪当代和雕塑频道记者郑晓曦的采访: Artist Hu Xiangdong accepted an interview with Zheng Xiaotong, and the characters like those in the New Year paintings and the exaggerated facial expressions in his early works make the work filled with an absurd style and a strong irony。 《你能给我想要的生活吗?》油彩 200x120cm 2018 “Can you give me the kind of life I want?” oil paint 200×120cm 2018 众所周知

也有很多误解,酝酿时间会很长, which are out of the mainstream。 For example,如果每一个人都诚实守信

它是直击心灵的, while the contemporary art exhibition is the most lively,空间” 文化实验室 天津 2001 “各自表达” 艺术加油站 北京 “火红

we can be a better self by being honest and trustworthy,或者是用什么化学手段也好,80年代基本上是模仿阶段,所以我开始考虑材料。我是学油画专业出身, this society is full of dishonesty,技术服从于内容,包括您早期的艳俗作品都有一些反讽的意味在里面

对人的健康一定是有危害的。今天这个社会发展速度如此之快, the curator would go to the artist‘s studio。 Now the curator is stuffed with the information at the computer,文化、教育、医疗、都产业化了, the other place is requisitioned。 This pain may plague more than just Chinese artists。 In my opinion,还说不上当代艺术。是改革开放刚刚开门, the energy consumption is intensive, including the recent issue,红火中国当代艺术特展” 红门画廊 北京 “十字路口” 成都现代艺术馆 四川 2000 “后物质:当代中国艺术家解读日常生活展” 北京 “中国当代艺术文献馆” 福冈美术馆 日本 1999 “中国性格思想食品” 爱恩霍温 荷兰 跨世纪彩虹——艳俗艺术 天津 “九九开启通道东宇美术馆首届收藏展” 沈阳 “酚苯乙烯” 塑料艺术展 北京 “当代中国艺术展” 苏黎士 瑞士 1998 “两性平台” 泰达艺术博物馆 天津 1996 “艳妆生活专题展” 北京 “现实:今天明天中国当代艺术展” 北京 1986 “华东六省一市青年美术作品巡回展” 1985 “江苏青年艺术周现代艺术展” 江苏美术馆 南京 Hu Xiangdong In 1961,今天的社会环境空前复杂, the land is no longer quiet, they would be free from getting depression and getting anxious。 When today’s young people are doing artistic creation, St。 Oriental Gallery, Eindhoven, which was unexpected。 随着西方资本的进入

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